Japanese Oil Paintings

Chinese oil paintings and oil painting realistic

Chinese oil paintings from the early fall, and "realism" and "realistic painting" has a natural link or from a certain sense, the beginning of the period of Chinese Oil Paintings painting is "realistic." Chinese Oil Painting in the path of development, the "realism" and "realistic painting" has always been associated with it.

Chinese oil paintings and history of the changing social and cultural development of China, changes in the history closely linked, it is accompanied by a knowledge of natural and cultural knowledge of Western and others to enter China. The starting point for the development of Chinese oil paintings, is well documented in the Ming Dynasty in Ningbo, Zhejiang Jiajingnianjian the Portuguese in establishing the foundation for commerce in Hong Kong Shuangyu, painting make this form of Art in China. Later Wanlinianjian (European Renaissance painting at that time is an important period in the history of development), for religious reasons, the Italian missionary Matteo Ricci in a painting of God, Our Lady of the Painting China. According to records, the 1610 Tour Wen-hui's "Portrait of Matteo Ricci" a realistic approach, clear the relationship between brightness, which can be deduced, You Wenhui China earlier study and practice of European oil painting . For the Qing Dynasty, many Western missionaries to the court is satisfied that the Qing Emperor Kangxi in Beijing between the missionaries and Lang Shining Gongtinghuashi as a representative, he worked in China, life 51 years after the emperor Kangxi, Yongzheng and Qianlong three dynasties. He used the concepts of Western oil painting to the performance of Chinese characters "Xiangfeirongzhuang card, opened a real painting with Chinese content of the above. Some researchers believe that it is also realistic painting of China "The first card." The development of early Chinese oil paintings are generally three ways, first missionary to preach the culture, and second, followed by the Court to consider the culture of painting, and third is the cultural and economic exchanges in the painting "civil." Chinese oil paintings start from the beginning with "realism" style. Some experts Guangdong exported begins to paint on that Guangdong is home to paintings Chinese oil, where you can find Chinese realist painting at the beginning of the first cultural and artistic works. Some experts of the Shanghai Museum soil exploration targets Bay Hill on painting oil painting, which China is the modern master Xu Yong-ching, dizziness Ding, Zhou Xiang, Zhang Hui load, Yuguang Zhang, like Ren Bonian, received here in Western art education. Territories Bay Hill painting at the Museum, is the court painting in the Northwest interrupted,''painting Guangzhou coastal oil export painting''in after re-emergence of China and Turkey. Although the time through a century, but the history of Shanghai has again chosen to paint western wind is a historic event for the best, but also threw the future of Shanghai will become the basis of a major Chinese oil paintings. "Sol Bay Hill Museum paintings sculpture, painting practice oil painting and home-made paintings, sketches specialized manual, realistic atmosphere rich, to become the "cradle of China in Western painting." Chinese Oil Painting in the development process Transocean Xunmeng, gains in Western painting of the first modernist practice, gains also LINGQ realistic painting, mechanical addition, the two can not be separated. "Westernization Movement" to promote Chinese painting in the spread of emerging arts education has led the rise of realist. The rise of Western painting groups also promote the development of realistic painting in China. Founded in Shanghai in 1915, "Oriental Art" in the file.