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Chinese Red Paint

Posted on April 2, 2010.
Chinese Red PaintThe ancient Chinese painting

Chinese paintings, dating to as early as 5000-6000 years ago when people started to use minerals to draw simple images resembling animals, plants and even human beings on the rocks and produce stunning drawings and models decorations on the surface of pottery and laterbronzecontainers. However, only few works have survived over time. The first drawings that have been preserved until today have been onpaperand silk products, which were funerary items with a history of more than 2,000 years.

Regarding the topic is concerned, Chinese painting into several categories, such as paintings included landscapes, paintings andflower and birds. European paintings, introduced in China in the 17th century, were called "tables of the West," and works traditional local "Chinese painting."

As a representative of Eastern paintings, Chinese paintings differ greatly from the return of the West in terms of content, forms and styles. The following will give you a more vivid picture of Chinese painting exotic.

Color paint (gongbi) and water-ink painting (xieyi)

In terms of drawing skills, Chinese painting may be classified into two styles: colorful paintings and watercolors with ink, with the former dominant before the 12th century by professional craftsman or painter, and one for and after the 12th century by scholars.

Also known as "fine time" paintings, paintings of color characteristic attention to detail and fine brush. Thank you to the mineral dyes fact, the original colors can be preserved in their entirety and paintings do not fade with time. color paints, which manifests itself unprecedented air sublime, has been widely hailed among painters to serve in the royal courts.

Instead, water-based paints inks, also called "thick-time" pictures are supposed to represent the spiritual resonance with lines as simple as possible, instead of attaching great importance to realistic subjects.

exaggerated forms, such as generalization and hyperbole, and rich imagination, are used in paint to show feelings of painters. Therefore, it is relatively difficult to make a copy of a painting in water-ink.

Anyway, there is no absolute line between the two schools. No matter who they belonged to the school of painters and could compromise a little and learn from each other, giving birth to a mixed style, including elements of both.

Seamless integration of poetry, calligraphy, painting and seal engraving

Traditional Chinese paintings perfectly integrate poetry, calligraphy, painting and seal engraving, which are all necessary elements. As a Chinese ideographic language, most Chinese characters in ancient times were produced with concise strokes in the forms or meanings of the signified, which, naturally, generated an art form of calligraphy closely related to painting .

Chinese painters, literati painters in particular, would unconsciously draw with the styles of calligraphy. writing poetry became a means in place to express their feelings during the process. Ultimately, in the tradition of Chinese literati, with red seals engraved their names have been used to sign their works, a tradition that continues to this day.

In fact, Chinese paintings clearly show that the Chinese believe in a holistic manner. In other words, before shooting, painters must have an overall plan regarding the content of the poems, the style of calligraphy, and where the work is to be signed. The criterion of "painting in poetry and poetry in paint" for the excellent work has been fixed by Sushi (1036-1101), the famous painter and writer in the Northern Song Dynasty (960-1127). Other artists later, this idea was held in high esteem.

One obvious distinction between the Chinese.

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